Piano.
Young was in Seattle for just two years, 1950-51, but left a definitive stamp on the local be-bop scene, raising the bar technically with his speed, accuracy and creativity. Originally from New Haven, Conn., Young came to the Palomar Ballroom as accompanist for a tap dancer, but his skills at the keyboard were soon discovered by impresario Norm Bobrow, who promoted Young on the radio. Working first at the New Chinatown, then the Black Elks, and the 908 Club, Young formed a sizzling quartet with tenor saxophonist Gerald Brashear, drummer Jimmie Rodgers and bassist Traff Hubert that released a 1951 album, “Concert of Cool Jazz,” recorded live at the Ladies Musical Club and the Metropolitan Theatre. The album scored a hit on the west coast with its speedy, humorous be-bop tune, “Who Parked the Car,” with vocals by Brashear. Securing national representation, the quartet was booked for a tour that included opening for Sarah Vaughan at Birdland, in New York, but the record fizzled, the band broke up, and Young was never seen again in Seattle.
Jackson Street After Hours (print). https://www.blackpast.org/african-american-history/young-cecil-c-1920-c-1975/